Production Team: 81 productions |
Season | Start Date | Play | Position |
56 | 7 May 1969 | The Fantasticks | Lighting Design |
56 | 9 Apr 1969 | Holiday for Lovers | Set Design |
56 | 9 Apr 1969 | Holiday for Lovers | Lighting Design |
56 | 9 Apr 1969 | Holiday for Lovers | Costume Design |
56 | 12 Mar 1969 | The Three Sisters | Lighting Design |
56 | 5 Feb 1969 | Say Who You Are | Set Design |
56 | 5 Feb 1969 | Say Who You Are | Lighting Design |
56 | 8 Jan 1969 | The Caretaker | Set Design |
56 | 8 Jan 1969 | The Caretaker | Lighting |
56 | 4 Dec 1968 | Catch Me If You Can | Production Assistant |
56 | 4 Dec 1968 | Catch Me If You Can | Set Design |
56 | 4 Dec 1968 | Catch Me If You Can | Lighting |
56 | 6 Nov 1968 | The Elder Statesman | Production Assistant |
56 | 6 Nov 1968 | The Elder Statesman | Lighting |
56 | 9 Oct 1968 | Camelot | Director |
56 | 9 Oct 1968 | Camelot | Set Design |
56 | 9 Oct 1968 | Camelot | Lighting Design |
55 | 8 May 1968 | How To Succeed In Business Without Really Trying | Set Design |
55 | 8 May 1968 | How To Succeed In Business Without Really Trying | Lighting Design |
55 | 10 Apr 1968 | Luther | Set Design |
55 | 10 Apr 1968 | Luther | Lighting Design |
55 | 6 Mar 1968 | The Right Honourable Gentleman | Lighting |
55 | 7 Feb 1968 | Generation | Lighting |
55 | 6 Dec 1967 | The Absence of a Cello | Set Design |
55 | 6 Dec 1967 | The Absence of a Cello | Lighting Design |
55 | 8 Nov 1967 | Hostile Witness | Lighting Design |
55 | 11 Oct 1967 | Oliver! | Lighting Design |
54 | 17 May 1967 | Good Morning, Mr. Bell! | Director |
54 | 17 May 1967 | Good Morning, Mr. Bell! | Set Design |
54 | 17 May 1967 | Good Morning, Mr. Bell! | Lighting Design |
54 | 6 Apr 1967 | Dylan | Set Design |
54 | 6 Apr 1967 | Dylan | Lighting Design |
54 | 9 Mar 1967 | Poor Richard | Set Design |
54 | 9 Mar 1967 | Poor Richard | Lighting Design |
54 | 9 Feb 1967 | Becket, or The Honour of God | Set Design |
54 | 9 Feb 1967 | Becket, or The Honour of God | Lighting Design |
54 | 12 Jan 1967 | The Centennial Play | Lighting Design |
54 | 8 Dec 1966 | You Can't Take It With You | Set Design |
54 | 10 Nov 1966 | The Private Ear and The Public Eye | Set Design |
54 | 10 Nov 1966 | The Private Ear and The Public Eye | Lighting |
54 | 13 Oct 1966 | Annie Get Your Gun | Director |
54 | 13 Oct 1966 | Annie Get Your Gun | Set Design |
54 | 13 Oct 1966 | Annie Get Your Gun | Lighting Design |
53 | 5 May 1966 | The Inspector General | Director |
53 | 5 May 1966 | The Inspector General | Set Design |
53 | 5 May 1966 | The Inspector General | Lighting Design |
53 | 7 Apr 1966 | Sunday in New York | Set Design |
53 | 7 Apr 1966 | Sunday in New York | Lighting Design |
53 | 10 Mar 1966 | Epitaph for George Dillon | Lighting |
53 | 10 Feb 1966 | Gaslight (Angel Street) | Set Design |
53 | 10 Feb 1966 | Gaslight (Angel Street) | Lighting Design |
53 | 13 Jan 1966 | Long Day's Journey Into Night | Director |
53 | 13 Jan 1966 | Long Day's Journey Into Night | Set Design |
53 | 13 Jan 1966 | Long Day's Journey Into Night | Lighting Design |
53 | 2 Dec 1965 | Never Too Late | Set Design |
53 | 2 Dec 1965 | Never Too Late | Lighting |
53 | 4 Nov 1965 | Present Laughter | Lighting Design |
53 | 7 Oct 1965 | Kiss Me, Kate | Director |
53 | 7 Oct 1965 | Kiss Me, Kate | Producer |
53 | 7 Oct 1965 | Kiss Me, Kate | Set Design |
53 | 7 Oct 1965 | Kiss Me, Kate | Lighting Design |
53 | 7 Oct 1965 | Kiss Me, Kate | Costume Design |
52 | 20 May 1965 | The Castle Builders; The Groanin' Board; The Action To-Night | Director |
52 | 20 May 1965 | The Castle Builders; The Groanin' Board; The Action To-Night | Set Design |
52 | 20 May 1965 | The Castle Builders; The Groanin' Board; The Action To-Night | Lighting |
52 | 11 Dec 1964 | The Sound of Murder | Set Design |
52 | 11 Dec 1964 | The Sound of Murder | Lighting Design |
52 | 9 Oct 1964 | Irma La Douce | Director |
52 | 9 Oct 1964 | Irma La Douce | Set Design |
52 | 9 Oct 1964 | Irma La Douce | Lighting Design |
51 | 13 Mar 1964 | Rashomon | Set Design |
51 | 13 Mar 1964 | Rashomon | Lighting Design |
51 | 6 Dec 1963 | Write Me a Murder | Set Design |
51 | 6 Dec 1963 | Write Me a Murder | Lighting Design |
51 | 11 Oct 1963 | Anything Goes | Set Design |
51 | 11 Oct 1963 | Anything Goes | Lighting Design |
45 | 17 Mar 1958 | The Lark | Director |
45 | 17 Mar 1958 | The Lark | Set Design |
45 | 17 Mar 1958 | The Lark | Lighting Design |
45 | 24 Feb 1958 | Season in the Sun | Lighting Design |
45 | 28 Oct 1957 | The Teahouse of the August Moon | Director |
45 | 28 Oct 1957 | The Teahouse of the August Moon | Set Design |
45 | 28 Oct 1957 | The Teahouse of the August Moon | Lighting Design |
45 | 3 Oct 1957 | Life Before Noon; Not All Who Grieve; There's Many a Slip | Set Design |
44 | 13 Jun 1957 | Light Up the Sky | Lighting |
44 | 8 May 1957 | Thieves' Carnival | Lighting |
44 | 20 Feb 1957 | Barefoot in Athens | Set Design |
44 | 20 Feb 1957 | Barefoot in Athens | Lighting Design |
44 | 20 Feb 1957 | Barefoot in Athens | Costume Design |
44 | 3 Dec 1956 | Teach Me How To Cry | Lighting Design |
44 | 14 Nov 1956 | Pygmalion | Set Design |
44 | 14 Nov 1956 | Pygmalion | Lighting |
43 | 3 May 1956 | Broadway | Lighting Design |
43 | 27 Feb 1956 | The Women | Lighting |
43 | 16 Jan 1956 | The Importance of Being Earnest | Set Design |
43 | 16 Jan 1956 | The Importance of Being Earnest | Lighting Design |
43 | 5 Dec 1955 | The Crucible | Set Design |
43 | 5 Dec 1955 | The Crucible | Lighting Design |
40 | 30 Jul 1953 | Private Lives | Director |
40 | 30 Jul 1953 | Private Lives | Producer |
40 | 30 Jul 1953 | Private Lives | Set Design |
40 | 30 Jul 1953 | Private Lives | Lighting Design |
40 | 2 Jul 1953 | Elizabeth the Queen | Director |
40 | 2 Jul 1953 | Elizabeth the Queen | Producer |
40 | 2 Jul 1953 | Elizabeth the Queen | Set Design |
40 | 2 Jul 1953 | Elizabeth the Queen | Lighting Design |
40 | 13 Jun 1953 | Wurzel Gummidge; The Little Old Woman; The Moon for a Prince; Mutiny; The Stolen Prince | Set Design |
40 | 20 Apr 1953 | Bell, Book and Candle | Director |
40 | 20 Apr 1953 | Bell, Book and Candle | Set Design |
40 | 20 Apr 1953 | Bell, Book and Candle | Lighting Design |
40 | 5 Mar 1953 | The Pretentious Young Ladies; The Stronger; Les Précieuses ridicules | Director |
40 | 17 Feb 1953 | Point of Departure | Director |
40 | 17 Feb 1953 | Point of Departure | Set Design |
40 | 17 Feb 1953 | Point of Departure | Lighting |
40 | 17 Feb 1953 | Point of Departure | Costume Design |
40 | 9 Dec 1952 | The Play's The Thing | Set Design |
40 | 9 Dec 1952 | The Play's The Thing | Lighting |
40 | 27 Oct 1952 | The Happy Time | Set Design |
40 | 27 Oct 1952 | The Happy Time | Lighting |
39 | 20 Aug 1952 | And So To Bed | Producer |
39 | 20 Aug 1952 | And So To Bed | Set Design |
39 | 20 Aug 1952 | And So To Bed | Lighting Design |
39 | 20 Aug 1952 | And So To Bed | Set Execution |
39 | 30 Jul 1952 | Ring Round the Moon | Producer |
39 | 30 Jul 1952 | Ring Round the Moon | Set Design |
39 | 30 Jul 1952 | Ring Round the Moon | Lighting Design |
39 | 16 Jul 1952 | Fallen Angels | Director |
39 | 16 Jul 1952 | Fallen Angels | Producer |
39 | 16 Jul 1952 | Fallen Angels | Set Design |
39 | 16 Jul 1952 | Fallen Angels | Lighting Design |
39 | 2 Jul 1952 | Happy Birthday | Producer |
39 | 2 Jul 1952 | Happy Birthday | Set Design |
39 | 2 Jul 1952 | Happy Birthday | Lighting Design |
1001 | 18 May 1952 | aa Workshop Committee 1952-53 | Workshop: Director |
39 | 16 May 1952 | A Midsummer Night's Dream | Lighting |
39 | 16 May 1952 | A Midsummer Night's Dream | Assistant Set Designer |
39 | 21 Apr 1952 | The Silver Whistle | Director |
39 | 21 Apr 1952 | The Silver Whistle | Producer |
39 | 21 Apr 1952 | The Silver Whistle | Set Design |
39 | 21 Apr 1952 | The Silver Whistle | Lighting Design |
39 | 11 Mar 1952 | Gramercy Ghost | Lighting Design |
39 | 28 Jan 1952 | Edward, My Son | Lighting Design |
39 | 10 Jan 1952 | Blood Wedding | Director |
39 | 10 Jan 1952 | Blood Wedding | Producer |
39 | 10 Jan 1952 | Blood Wedding | Set Design |
39 | 10 Jan 1952 | Blood Wedding | Lighting Design |
39 | 28 Dec 1951 | The Enchanted | Lighting |
39 | 26 Dec 1951 | The Blue Bird | Set Design |
39 | 26 Dec 1951 | The Blue Bird | Lighting Design |
38 | 15 Aug 1951 | Present Laughter | Producer |
38 | 15 Aug 1951 | Present Laughter | Set Design |
38 | 15 Aug 1951 | Present Laughter | Lighting Design |
38 | 1 Aug 1951 | And Then There Were None | Producer |
38 | 1 Aug 1951 | And Then There Were None | Set Design |
38 | 1 Aug 1951 | And Then There Were None | Lighting Design |
38 | 1 Aug 1951 | And Then There Were None | Set Execution |
38 | 18 Jul 1951 | The Voice of the Turtle | Director |
38 | 18 Jul 1951 | The Voice of the Turtle | Producer |
38 | 18 Jul 1951 | The Voice of the Turtle | Set Design |
38 | 18 Jul 1951 | The Voice of the Turtle | Lighting Design |
38 | 18 Jul 1951 | The Voice of the Turtle | Set Execution |
38 | 3 Jul 1951 | The Madwoman of Chaillot | Producer |
38 | 3 Jul 1951 | The Madwoman of Chaillot | Set Design |
38 | 3 Jul 1951 | The Madwoman of Chaillot | Lighting Design |
38 | 7 May 1951 | The Last Best West! | Lighting |
38 | 17 Apr 1951 | The Merry Wives of Windsor; The Merchant of Venice (scenes) | Set Design |
38 | 17 Apr 1951 | The Merry Wives of Windsor; The Merchant of Venice (scenes) | Lighting |
38 | 27 Feb 1951 | Argus Bank | Set Design |
38 | 27 Feb 1951 | Argus Bank | Lighting |
38 | 27 Feb 1951 | Argus Bank | Set Execution |
38 | 6 Feb 1951 | Summer and Smoke | Set Design |
38 | 6 Feb 1951 | Summer and Smoke | Lighting |
38 | 6 Feb 1951 | Summer and Smoke | Set Execution |
38 | 23 Jan 1951 | The Road to Rome | Lighting |
38 | 5 Dec 1950 | Therese | Lighting |
38 | 14 Nov 1950 | Phoenix Too Frequent; Danbury Fair | Lighting Design |
38 | 14 Nov 1950 | Phoenix Too Frequent; Danbury Fair | Set Construction Crew |